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Search resuls for: "Rebecca Frecknall"


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When Rebecca Frecknall was a child, one of her favorite things to watch was a televised 1993 London revival of “Cabaret,” which her father had recorded on VHS tape. As the British theater director grew up, she hoped that one day she would stage a version of the musical, in which a writer falls in love with an exuberant and wayward cabaret performer in Weimar-era Germany. In early March, in a Midtown rehearsal room, Frecknall, 37, was preparing to do just that. Her “Cabaret,” which opens in previews at the August Wilson Theater on April 1, is a transfer from London’s West End, where it opened in 2021 to critical acclaim. “I always wanted to direct ‘Cabaret’,” Frecknall said later in an interview.
Persons: Rebecca Frecknall, Olivier, , ” Frecknall, I’d, , Eddie Redmayne —, Broadway — Organizations: Wilson, Broadway Locations: London, British, Weimar, Germany, London’s
Review: This ‘House of Bernarda Alba’ Is on Fire
  + stars: | 2023-11-29 | by ( Matt Wolf | ) www.nytimes.com   time to read: +1 min
The ground is breathing fire, we’re told, in “The House of Bernarda Alba,” the Spanish classic by Federico García Lorca that opened Tuesday at the National Theater in London in a ferocious new version by Alice Birch. The show runs through Jan. 6. Directed by Rebecca Frecknall and starring Harriet Walter from “Succession” in the imperious title role, it really is scorching. Lorca’s play about a tough-as-nails matriarch and her five unmarried daughters in 1930s Andalusia is regularly revived in theaters in England, but I’ve never seen an ensemble so fully committed to the play, which races toward its tragic finish with genuinely shocking force. As Frecknall has demonstrated in work including that of Tennessee Williams and the Broadway-bound revival of “Cabaret,” she has a gift for reinvigorating familiar titles as though they were brand new.
Persons: we’re, Bernarda Alba, Federico García Lorca, Alice Birch, Rebecca Frecknall, Harriet Walter, I’ve, Frecknall, Tennessee Williams, Organizations: National Theater Locations: The, London, Jan, Andalusia, England
“Is love a tender thing?” Romeo asks early in the Shakespeare tragedy to which he and Juliet give their names. Not so much, according to the raw and riveting new production of “Romeo and Juliet” that opened Wednesday at the Almeida Theater here. It’s no surprise that the courtship between the noble Romeo — here played by the sweet-faced Toheeb Jimoh, from TV’s “Ted Lasso” — and the teenage Juliet will end in calamity. Her “Romeo and Juliet,” performed without an intermission, begins with the cast clawing feverishly at a stage wall, onto which are projected crucial lines from the prologue. But as if in haste to get straight to the meat of the play, the wall soon collapses to reveal the citizenry of Verona mid-combat.
Persons: Romeo, Juliet, Juliet ”, It’s, Romeo —, Toheeb Jimoh, Ted Lasso ” —, Rebecca Frecknall, Olivier, , , ” Frecknall, Tennessee Williams, Organizations: Almeida Locations: British, New York, Verona
[1/3] Jodie Comer poses with the award for Best Actress for "Prima Facie" accompanied by Paul Mescal at the Olivier Awards at the Royal Albert Hall in London, Britain, April 2, 2023. It won best entertainment or comedy play as well as the director, set, lighting, sound and costume design category prizes. It won best revival, best actor for Paul Mescal for his role as Stanley Kowalski and best actress in a supporting role for Anjana Vasan, for her portrayal of Stella. "Killing Eve" star Jodie Comer won best actress in one-woman play "Prima Facie," in which she portrays a barrister who defends men accused of sexual assault before herself being assaulted. won best musical revival and best actor in a musical for Arthur Darvill.
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